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I found his cache on a red evening, rain and sodium lights blurring the windows. The file names were a private language: “hot—summer-interlude.mp4,” “cold-sentiment.mkv,” “midnight-market.webm.” Each clip began ordinary and then slipped: a hand lingering on a storefront window became a map; a recipe tutorial’s close-up of oil shimmering turned into a galaxy of tiny reflections. Neel’s edits were not just cuts—they were invitations to look sideways.